Painting Professor Richard Prasch recommended before starting a painting, reflect on what you want to acheive and list them on paper. So the past 54 years I have kept a record of my goals in one large binder. In that binder I found a 1975 letter to the editor.
Over the years there is a thread of consistency at Portland State College then and now Portland State University. Paintings with social conscious content was praised and recognized. The department provided programs for students to reach out to the public like participating in the formation of an art gallery that had drew in participants from other disciplines at the college.
I have dropped in to see thePSU art department several times over the years. With the retirement of the ceramics instructer, Ray Grimm, the ceramic studio became small classrooms without natural light and offices for instructors. The central lounge dissapeared. The department office was moved over to what had been a basic design class. When Heidel was there, a large tapestry adorned the space behind a desk. Then during the 80's the painting studios were moved to an old commercial building. I can't imagine how painting in a low ceiling studio with artificial light would have been inducive to the almost like outdoor painting problems. Sometimes I even painted from the balcony giving an Olympian view of the subject. Not to mention that the new cramped space would have fumes that would overwhelm me.
An appolgy: This blog is unfinished. I intended to finish with an explanation of how the Art Department's Graduate College of Art + Design had a cord growing out of the objectives of Heidel and other department heads in the 60's. Due to my roll as a care giver to my husband, I have yet been able to take up the invitation of Associate Director of Development and Alexandria Cleasby the Development Coordinator of PSU Arts. They offered to take me on a tour. With the slow progress and new issues in my husband's health, I do not know when I can take up their offer.
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