What is a hero?

 purchased  from Canstock-- the Green Man

Hero definition from Merriam-Webster dictionary: 

 a: mythological or legendary figure often of divine descent endowed with great strength or ability

 b: an illustrious warrior

c: a person admired for achievements and noble qualities

 

d: one who shows great courage

 

If someone is writing an adventure romance, the hero matters very much, if it works or not-- be that any genre. Here is the truth, as I believe it to be from being a long time reader of romances and writer of adventure romances. Characters feel pretty much real, for the most part, but heroes are way above real. They are as the dictionary says-- warriors and mythological. They carry the action of the story and make it all work. In many cases, they make the story fun to write or read.

 

This is where the Hero's Journey by Joseph Campbell can come into play. For writers, I highly recommend the book. He studied the form of the myths that have lasted through time. What about them can be used in plotting a novel for today? Now, I have to qualify this as it's not the critically approved novels. This is about the adventure stories, be the romances or suspense, from Clancy to Robards.

 

The first time the reader meets the hero, he may not seem very heroic. But as the adventure takes off, he will take on the mantle. He will be willing to sacrifice whatever is required to save his people and best the villain at his own game. 

 

Does a hero have to be a man? For my books, he will be, but the heroine (again can that word be used today as it once was?) will also fight for the victory, sometimes even save the hero. She will grow into her own challenges and be much more than a sweet little homemaker, though she might be that also -- or not.

 

I have personally had a hard time writing women that are stronger than the men. I also don't like writing victim heroines, where she is on the run or is in danger from a direction she didn't recognize. It is one of my weaknesses as a writer, that I prefer writing the male protagonists. I have to work to make my female characters more interesting.  I think that's a product of my age-- as in how we grew up with the movies and television shows.

 

One of the criticisms I got when I submitted my books to publishing houses back in the 1990s was the heroines had it too much together. They wanted the heroine to be in danger and then could the hero save  her? If it's a romance, the reader knows the answer, which is part of the appeal in the world of today where in real life, heroes and heroines too often end tragically. 

 

One of the appeals of romances is the difficult life many people are experiencing. A romance novel guarantees a happy ending. Who doesn't want that when life so often does not deliver it? A romance will, and even better if it's a suspense or adventure romance that will take us along for the journey with danger, maybe a few deep breaths or even tears, but it will work out.

 

Back to the hero. While in real life, our life partners may be a hero to our family and life, he is not what we will find in a romance novel. The guys there often appear on covers and they are gorgeous, muscular, often shaved chests and faces.They look like they can take care of any emergency. A popular genre lately has been with them being billionaires. Have you seen most real billionaires? That is not usually on the cover.

 

Of course, since this is a romance, there needs to be a man who knows how to appeal to a woman. If he didn't already know, he will learn. That might sound like fantasy, but it happens in real life too. What would a romance be without romance. When writing such books, I believe don't go overboard with too much lovey-dovey. Other things demand his and her attention. That's the challenge and the adventure.

purchased from Deposit Photos

Many (maybe most) romantic heroes are alphas, but that does not mean brutal or too controlling. Frankly if he is, the heroine will walk away or rise up in power to remind him that's not a good idea. Unless the stories are erotica, maybe, but even then she allows what is happening. Romance heroines are only abused by villains. This was not necessarily the case when these kinds of romances first grew in popularity, but today if any rape happens, it's not the hero doing it.

 

Repeating, real life heroes don't generally look like the books. Readers don't want them to, They are for escapism. When writing, it's part of the fun that you can control what happens. I can think of some real life serial killers that were quite good looking. Don''t make the mistake of thinking beauty guarantees goodness-- in males or females. 

Do writers fall in love with their heroes? I never have, but I do enjoy writing about them and that is true if they are a school principal or a cowboy or a marshal or a billionaire. They are imaginary creations and make writing enjoyable for writers and readers.

 

Personally, I believe we need to know the background of the hero. What led him to risk his life for others? Did he have a happy childhood or was it less than ideal? What he was is not all of who he is, but it has impacted it. The writer should know what it was as again, it's part of the escapism of being a writer that we can create what feels real and yet is exciting in a background sort of way. All that we know about a character does not have to appear in the pages. The emotional impact of it though will.

 

Over the years, I've read  sociological studies on who reads romance novels. What does it do to them? Does it it ruin marriages? Overall, the results seem to be romances are read most by those in high pressure jobs, like say nurses.  Marriages are not damaged by reading those books, as they are escapism, not wanted to be real, just to take a break from reality. They might though hide the covers if on a subway, train or bus as there are a lot of jokes around romance novels and those heroes and heroines :).  

You know men have their own escapes but they are different with suspense or macho heroes like a Tom Clancy book. One way or the other, neither sex want to live these escapes. Their lives are generally pretty good. My experience in talking with men who do give romances a try is they are surprised at the action in them.

Heroes come in many forms from the ones who spiritually save the world, the lovers (not only of women but of life and children) and those who are warriors that believe this is sometimes the only way for a good life.  

 

When you are writing a book, it all takes time to work through what is best and what works for the writer's own life. While writing and imagining what is to come, the world fades away into a new world and characters.

 I bought this image from Deposit Photos because it fits one side of the hero; but then, I worried if it had been made by AI. Is there a way to tell? It would never probably work for one of my book covers, given where my books are set. I can still enjoy the beauty and power of it, the energy that it takes to change the world when all seems going awry. What is a hero willing to sacrifice?

 

 

 

Not part of the plan

by Rain Trueax

Well, that last hero was pretty normal-- if being a billionaire is normal. How about a hero who has some unusual habits-- like shifting into an animal? A rock star who wants out of that life? A man with a love that he left due to his frightening secrets? What if his deceased mother was Navajo and that land is still in his blood? What if he has an enemy out to destroy him? Hey, why not!

It's Complicated

By Rain Trueax

What if? Do you know how many ideas for books begin with-- what if. The next thought can be-- ridiculous, but sometimes it's-- why not! 

Why not have a hero who is named after an ancestor who did evil during his lifetime? Why not have that man be the very soul who has lived lives between the evil one in an attempt to get his lives on a healthier course? How much of that outlaw violence would carry over into the one he's now living? Can someone really change their soul through the lives they choose? Since they won't remember those earlier lives, how much do they impact today's choices? What if he has spiritual helpers who have come along for the ride but that he doesn't see or want to hear?

These are the questions raised in Complicated Bargain-- third of the Hemstreet Witch books, now in a series called Mystic  Shadows.

It takes a hero

by Rain Trueax

For my books about the Hemstreet sisters and their mother, the first attractions to their characters were location, the family, and then that they were professional witches. 

In terms of witch, I am using that word loosely as we have a concept for what qualifies someone to be a witch? Why are they labeled such? These are ordinary looking women with ordinary jobs. Two ran a boutique. One was a detective. One helped her widowed mother run the Black Cat Bookstore. All but one had their own homes-- the youngest, still at home, wanted to move out.

I referred to these women as natural born witches but fully human with skills that make them different. At the same time, they have all the usual human problems. I liked them having an added problem of supernatural powers, since that meant they had to lead a double life, where you have to hide part of who you are. What did that mean for their romantic life? 

What many people, those who don't read romances, don't know is that the male protagonists are central to the stories. Romances are thought of as stories for women. Of course, women are their main buyers but unlike chick lit, men also read them for a variety of reasons. The thing I want to explore here are those heroes in the books. What about the men!

from a dream

by Rain Trueax

I wrote this post a few weeks ago and kept adjusting where it'd show up. It's an example of how, for me, books emerge from a dream and a simple thought into a full book. 

On other levels, my life has been evolving on many levels. One is that I'm trying to create back covers that work with the covers for Ranch Boss (whenever work here lets up) to put together the spline that lets the book become a paperback. Those matter mostly for giving away but also could be important if I do some book signings, which I've yet to do. Also, if I want my books to be in libraries, there must be paperbacks and a Library of Congress number. Working on it all. Meanwhile, this is an example (there are many) of how books begin with one thing and turn into another. Fun. :)

Sometimes a book begins with a dream. In the fall of 2013, I lost a cat I loved very much. I'd have paid a lot of money to save her life. She was too young to die, but something was catastrophically wrong inside. All I could do was let her go, which happened when the veterinarian came out to the house and gave her a merciful end. I cried so much. I still cry when I think about it, which is why I don't include her picture here.