I got frustrated with the confines of a lasagna pan palette with parchment paper inserted with masking tape that wouldn't stick. Every time I needed a new color, I squeezed a little from very old hard or messy tubes with caps encrusted with dried oil color. Yikes what a mess I had until I squeezed the tubes until they were completely rolled up. Some brands the neck of the tube pulls apart to release a blob of paint. My lasagna pan was so full there was no space to mix.
With no idea of which painting I would work on today, I put a 22" x 28" glass on our dining room table.
Even without a painting plan I just transferred some cobalt blue and started mixing in white making four values I did the same with thalo blue.
Then added alizarin crimson to the cobalt blue and yellow ocher and a few other colors. Painting indoors because the air quality from forest fires was bad, I used walnut oil, no solvents, and palette knives. Started painting with the bright salmon square. Abstraction of landscape came to mind so made off whites near the top and dark values near the bottom. The palette knife lent itself to rectangles and I saw basalt and trickles of water.
At the end of the day, I decided I had been working under a big handicap. I've got to improve my palette for working outdoors. A cookie baking tin?
3 comments:
I like the first abstract a lot. I wish I had more wall space but I went for windows instead lol
Rain,
Window light is important.
that is true especially since the house is in the oaks, and big windows bring the outdoors in; but I love BIG paintings. They bring color and energy.
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