Georgia O'Keeffe and New Mexico

 From 2009

In trying to think when I first became so enamored of Georgia O'Keeffe, it seems forever but couldn't be. It wasn't just her art although that would be enough. It wasn't just her life. Although that would also be enough. More than likely her greatest appeal to me was because of New Mexico and her love of the land there. It wasn't even just New Mexico but more that it was a wild land that spoke to her spirit. She felt the land like I feel the land. Whatever the whole set of reasons, I have read and seen about anything on her that comes along. It was 1998 when I had the opportunity to visit Ghost Ranch and Abiquiu-- areas that provided her a home and gave her inspiration for her paintings. New Mexico is a powerful place with its light, history, and then that wonderful, interesting land which has drawn artists and writers from around the world. It was easy to understand why she had found her artistic soul there. Irony was that her heart's home was with a man in New York who would never come west. Thousands of miles would often separate them but both were part of her inner being. It was a conflict. Was it also fate? Who knows. Unfortunately I was unable to tour her home due to shortness of time and not knowing enough ahead of time the limitations on the tours. We had other places to go (Chaco Canyon which is also the best). I will go back someday and see inside the home-- I hope. I have seen so many photos of it, the little things she treasured, the simplicity of how she lived that I seem to already know it. Why she is coming up right now is very apropos as I go through photos and remember my trip to a land I love. Then last week-end, I watched on Lifetime the film, Georgia O'Keeffe, a biopic starring Joan Allen and Jeremy Irons. I really liked it even though no two hour movie can do justice to the complexity of the woman-- let alone all of those in her circle. The film was mostly about her relationship with the photographer and gallery owner, Alfred Stieglitz, and his impact on her painting. Even that, it couldn't fully deal with in the limitations of two hours. It needs a miniseries. I don't suppose enough Americans would be interested in her story for that to happen. If she had been an English painter, it would have already happened. What fascinated me about the film wasn't just her relationship to her art or even to him but the bohemian quality of the way so many of them lived. Definitely not satisfying to the right wing of today-- well not totally rewarding to themselves either as everything has a price and there is no such thing as true freedom in love or relationships. Stiegtlitz saw early that her life was her art. She was her painting. When he photographed her nude and then showed the artistic photos at his gallery, it made her a sensation and began the mythology that added to her value as an artist-- as he knew it would. This might sound crazy but when we buy paintings, it's the subject but also the energy. Her energy was that of a passionate woman. Her love for him was part of that but it went beyond it to her essence. Land and man helped form her into the woman she became. The Whitney in New York City is opening a showing of her paintings, which I was fortunate enough to have seen at the O'Keeffe museum in Santa Fe. This article shows some of the paintings and the love letters she wrote to Stieglitz.

[Georgia O'Keeffe's Love Letters]

For anyone interested in art or love, the link is well worth taking the time to read with some of her paintings for those who are not familiar with her art. I have read she didn't think she was good with words. Lordy, wonder what she'd have been like if she had thought she was...

From New York, II 13 July 1929 "I know that many things that seem very precious – very holy – are gone for me – but I feel too – that way down beyond that – where you can not touch it – where no one can touch it – there is a bond – that is my feeling for you – it is deeper than anything you can do to me – that is why I know I will be with you to the end – whether you wish it or not – whether I choose it or not – whether I am close to you or not … "You have always told me that the work came first – that has often been very difficult for the woman in me"

Their relationship had its ups and downs, two imperfect people coming together as it always is, both of them fascinating, complex, strong, conflicted, extremely creative artists. They were soul mates in the truest sense of that word. Being soul mates doesn't always make for easy relationships. These photos were all taken on the 1998 trip to New Mexico. We came in September and saw most of it between torrential rainstorms. The photos don't do justice to the lighting on that trip.