Evening Star

 

My contemporary novels are not as linked together as have been my historical novels. When I wrote them, that was only off and on in my mind. Some characters know each other, but my priority was the issues that interested me as is the case with this one. When I made the decision to bring these books out as an independent writer, I looked at whether I could change any of that. I felt not without losing credibility for these characters.

One example of where I did know is the hero of Evening Star, Randy O'Brian, I knew his ancestors had come up from Arizona and were related to Cordell O'Brian, the marshal in my earlier historical series. 

I think for writers, it's good to have people the readers will enjoy following from hero/heroine to secondary characters. Readers like that. I like it, but you have to think ahead to make that work. Considering the first of these contemporaries were written in the 1990s, when the plots came to me, to have a couple of them related is fortunate.

In terms of timing for when these contemporaries took place, Moon Dust and Evening Star are closest though the people don't know each other. Well, in Portland, Oregon, it's a big city with a lot of people, who live there, who we will never know unless we come together via jobs.

Back to the story at hand and why it interested me. First issue that came up
for me, as a writer, was I generally have a point of view of the hero and heroine. I like to write that way, but I didn't do it this time. There are two points of view but none for the hero. I wanted others to see him through others eyes, given what he was doing. 

Would the reader wonder also what was up with him, who was he really, who knows? Other than novellas, I like writing what the hero is thinking (always have the heroine), but this book, a full length novel, I preferred to see it all through her eyes-- other than that one other point of view, who was not Randy's. I have thought of rewriting this book in first person, and tried out a chapter or two, but don't know that it would improve the story. It would be easy to do despite I have never written one that way.

Marla Jamison thinks she has her life as she wants it. She's experienced tragic losses and wants nothing like that to happen again. She has a successful career, a boyfriend to date but not care too much where it came to either of them. Convenient describes it.

Except meeting a man, determined to teach her another way, puts all her plans at risk. The heart knows what it wants and maybe that's what is best. Difficult though it might be to get there.

Just for fun, this is the first paragraph in the book, if I did change it to first person: 

Hearing my heels click as I made my way across the terrazzo flooring, I barely made it to the elevator before the doors closed. To be polite, I smiled for the quick thinking young man who had held them for me. Unfortunately, that led to a protracted view of his week. I managed another smile as I thought—whose week isn’t overloaded. Before we reached his floor, I politely fended off an invitation to dinner. I held onto my smile.

 Below is the link to the book in third person. Currently all contemporaries are only at Amazon. That could change since they are finding no readers, but not sure it'd be better if they were wide like the historicals.

Evening Star