Diablo Canyon

 Because your question searches for deep meaning, I shall explain in simple words. ---- Dante Alighieri

created by Elena Ray, purchased from Canstock

There were several aspects to what made Diablo Canyon the key to everything that had come before, It was both a place and a goal. It also was part of what this earth and its nature is all about. Of course, also for me, with some changes to the novellas, it became the novel.

For the novel, mysticism was important, but so, was the physical reality of the earth on which we live. Is it really, what we think? We know that it's made up of many chemical aspects (names most of us have never heard). Our flesh, all that is below, and around us is made up of atoms/nucleus and whatever, is beyond that. What holds it together and gives it form is energy. This is the reality of life even though we operate on a physical level as though that what we see and feel, is all there is.

What makes Diablo Canyon important, beyond what I ever intended is the question of  the importance of physical ley lines. Do such energy lines exist? And if they do, how might that impact human life? In the book, the climax uses not only energy, what we see, but the spiritual stories that grew from the beginning of humans collecting them from religion and mythology. Are those stories fiction or might they reflect a reality that a more 'sophisticated population' rejects?

In the ending of Diablo Canyon, is presented a question. How do humans, even those with spiritual powers ,fight evil, that which would destroy or dominate them-- or can they?

The story, of course, depicts all of this, but there is something else. In some ways, the cover is about marketing, but it also can be the heart of the book, inspiration for reader and writer.

For Diablo Canyon, I came to see it needed more than images that would show the romantic couple, but go beyond for how they would fight wrong? Could a cover, one with three couples do that? Or might one couple depict the book's theme?

As usual, when putting together a cover, I looked at a lot of images. Most, I had purchased years earlier with no precise idea of how I could use them. Then, I came across two that worked for what I believed  the book needed.

The hero, of the book, was a 'druid', running a detective agency to solve problems that went beyond the physical. The image had to look like someone who could take charge. The one I found had an expression that looked as though he could deal with whatever was needed. I liked how his hands were tucked into his belt, but fist like. That expression in his eyes said he was looking for how he would use his power. He was in no hurry to rush into action, but would be ready at the instant he knew the time was right.

The heroine, his love interest, had been in the second book. Except there, she was an angel and spirit guide. To deal with what was happening in Diablo Canyon, the powers above, requested she become a human to bring strength to the needed warriors, along with her own, to fight for right. Some humans today think the spirit world has all the powers-- what if they were given the power to use and expected then, to do it. This one-time angel didn't feel she had those abilities, but turned out, she had a lot more going for her than she knew. It's all about ... energy.

For readers and writers, covers can impact the stories for which they are supposed to represent. I think this one did that for me. The rings in my dream are on it because they represent a love that hovers over a canyon that could lead to destruction or happily ever afters. And the hero and heroine on the cover, depict two ways of dealing with a huge problem. There is the suppressed power as the man waits for that moment where it will be unleashed. Then, the drawing up of spiritual energy by what might seem delicate hands.

 Having three novellas, then a novel with the spice the others didn't have, bothered me, in how I promote them. Four books? Three? One? If someone doesn't read the whole blurb and buys the novellas and then the novel, they might feel they were cheated. The novellas do have one extra feature-- Dante's quotes fit each chapter. What a philosopher/poet he was.

Remember tonight... for it is the beginning of always.     

Dante Alighieri

 

 

  Images purchased from Romance Novel Covers, and Stencil.

 Diablo Canyon

Being Open

When I decided to combine three, finished novellas into one novel, it was something new to me. It meant three couples, with only one of them what might be seen as typical-- even there, the supernatural is involved. As for the themes of the novellas, each was covered loosely in the previous blog. 

Because I am hoping to do more promoting of my Mystic Shadows Series, I got to know these books better, as I edited them for the umpteenth time. Fortunately, for the novellas, their original covers still worked.

Those covers represented three couples, but when the novel came along, what kind of cover would work? Maybe, no couple but background or a monster or two? With its title being Diablo Canyon, I wanted something that represented the challenge these humans were facing. I believe, in many ways, the conflict we still see-- supernatural or physical.

The thing is, although the first novella began with a dream, in actuality, they all were aimed toward the challenge in the last book. It is there, the reason for everything is revealed, with, of course, another romance and how the two earlier ones were doing.

Those, who haven't been reading my blog for very long, might not know that dreams are a big part of my life-- the night-time sort. Some of mine are prosaic or seem that way, pieces of my life, or scenes that I see like going to a movie theater. Mine are usually colorful and the beauty of nature or the sort of art I wish I could have when I wake up. In my experience, dreams don't always make sense. Mine are sometimes where I've been, but not always. They don't have to, as it's the brain playing around, or is it the muse trying to speak to us? In the past, some of my dreams have worked to be inspiration for books. 

The one, that began that first novella, came because I had lost a cat I loved very much. I'd have paid a lot of money to save her life. She was too young to die, but something was catastrophically wrong inside. All I could do was let her go, which happened when the veterinarian came out to the house and gave her a merciful end. I cried so much. I still cry when I think about it, which is why I don't include her picture here. I think we love many animals, but always there is one very special. She was that for me and still is.

 That night I asked for a dream to know if reincarnation was true. I had thought this cat had come to me twice before. Both other times, she'd lived out her whole lifetime. This time I wanted to know-- could I get her again? Was reincarnation true? 

The dream did not turn out to be about my cat, but it was powerful.

A man and woman were on a train. They had been lovers in previous lifetimes, but always star-crossed. This time they were both destined to die early from accidents.

There were two spirit guides looking at what was happening. As the lovers kissed, a gold ring was clearly seen over the kiss. The guides saw it and observed how rare true soul mate love was.

 'They will just ruin things again if we don't let them fix it this time,' they said. 

At the same time, there was another couple, where the woman was plotting to kill the man to get his fortune. What can fates do to fix these two star-crossed lovers? The dream had the answer.

When I woke that morning, I realized I had to write this story. For it to work, as a book, it'd take some adjusting, like no train, but the ideas for what would work were already percolating. I knew it'd be set in the ranching country of Montana. Having raised cattle for a big part of my life, with many trips to Montana, the setting was a natural. The cowboy life has long fascinated me, even though our piece of it is small.

 

After the first came together, it led to a second and then a third novella, each with their own romance and mysticism. I wrote about the general premises of all three in the previous blog. What I didn't expect is to put the three together, with the spice, for which there is no room for in my novellas. That became the novel-- Diablo Canyon.

~~~

 Once again, this blog has ended up too long. The importance of Diablo Canyon, its cover, and theme, that'll be next blog. Remember, what I am trying to do with my blogs on writing is to encourage others to find their own creativity. Sure sales are nice but mainly to know others found something of value in choosing the books.

To me, ironically, Diablo Canyon became my most important book with its combinations of energy and the unexpected way it worked out. Why did that happen? I believe it came about because I was open to it. That is also to me what creativity is all about-- being open in life and our dreams.

Melding Three books... or were they three?

Novellas, that is my novellas, aren't exactly sweet, but they don't have spice, as there isn't room to have character and plot development, without sticking to the closed door. 

Below are the three novellas in a paranormal series, Mystic Shadows. They are connected by secondary characters, mysticism and an eventual common goal as they look to the unknown. As romances, each has a different couple dealing with not only finding love, but what else is going on out there?

The first of these novellas was When Fates Conspire. It came out of a dream, with needed additions as I decided what would it take to make a satisfying story. Two star-crossed couples, spirit guides, and the mystery of what life might be. It would appear at first to be a tragedy but is it? Can't be if it's a romance. Can the power of the Divine fix what has gone wrong-- and even more, why would it get involved? 

All three novellas are set in the ranching country of Montana, one of my favorite places and where I have spent time when I can.

The idea for the second novella came out of the tragedy that left a mother to run a big ranch and deal with her loss. The story also carries on the earlier couple, some Native American history, and delves into how when someone is reincarnated (in a rather unusual way), what memories might they carry with them. That led to: The Dark of the Moon.  

Although these books are all contemporary fantasy, they are set with real people except-- something extra. The romance in this one gives the mother a chance for her own happy ending with a cowboy, who has rather unusual gifts-- but they are beneficial if he is also a detective.

Would that be the last novella? It turned out another story came to me that encompassed the reason for the rest. Besides magical, was it also science? There were a mix of things I have been told by those who see more of the other side than I do. For much of my life, I have read about mystical experiences. Some have been related to traditional religions. Others, not so much. 

Exploring that led to the third novella with the mysteries of earth and spirit. Storm in the Canyon had a most unusual hero and heroine. That is another plus for a writer. Could it actually happen? Does it matter for a fantasy romance, a paranormal? It is about what can the imagination create. With my own thinking of possibilities, and my luck of being married to a science guy, it came together. 

Three novellas was how it stayed for a month or so, until I began to think I'd like these characters to experience full physical relationships. It took a few months to make the stories into one book, with chapters and those three romances. 

One of the fun things for a writer is the ability to do something like this. An independent writer only has to please themselves and their editors. It has bothered me some that these end up being three novellas and one novel, but with the same basic stories. I enjoyed creating a new cover for that novel, using one couple, but none I'd used before.

So, next blog will have more about how that novel came into being and what that took.

 Couple images were purchased from Romance Novel Covers and Deposit Photos. Backgrounds were our photos and Stencil.

From Where Does it Come?

 

Image from Stencil

 

Before starting to write this blog, I tried to think what was needed. Should I go into what I, myself, have experienced from the other side, leading to deciding to write paranormal stories? Does any reader really care about that but instead just want a good story? If people are interested in mysticism, does it have to be of a religion, for which they are comfortable? Keep in mind that the religions, I know anything about, all have mystical aspects to them. Some probably more than others. But, it's a mysticism that people have grown up thinking is okay.

My mystical books have elements of 'magic' that some might be comfortable with-- if it is in their religion, under authority that makes them comfortable.

So, where did I get the mysticism about which I have written? Some is what I have experienced or been told about from others. In Mystic Shadows, my characters are from the earth or spirit. 

In these books, it is all imaginary for their stories. The first time I wrote a book, that had a spirit connection, was Sky Daughter and likely in the early 90s for its first draft. I had a monster. When I got to where I had to decide if it was to be someone's delusion or was it real, I spent some time deciding?

Because I do a lot of research for my books (all of them), I found books from those who had experienced scary experiences of what they believed had been monsters. They claimed what they saw and had impacted them were real experiences. If someone goes to YouTube today, you can find more such, claimed experiences..

Is what we see, or think we see, all there is out there? You know there are plenty saying even aliens have been and are being impacting human life. No aliens in my books though. 

What Diablo Canyon ends up being is one long book with three romantic couples dealing with a world beyond their expectations. They were each in their own novellas, then secondary characters in the next books.

It was a couple of months later, when I decided I wanted these couples to have the spice, for which the novellas did not have room. Can I complicate my writer life any more? Likely not, but you write what comes to you.

How though do I put one couple on the cover? I think to have all three there would be complicated. How about if I used the couple from the last story? I would say it has one of the more complicated stories, but actually, the first qualifies as that also, given it began with one of my dreams, a very significant dream. More on that later maybe *s* 

The first image from Stencil is the peaceful side of what might be. It is not the only possibility though, as those who delve into the dark side know (from Deposit Photos)..