Part One: Diane Widler Wenzel on How I Hang the Pictures I Paint

This post is about hanging art in my home but first a brief announcement.
Everyone is invited to my painting exhibit, "Water Speaks,” opening tomorrow Sunday, October 22 at the Main Albany Public Library upstairs in the periodical area between 1:00 PM and 3:00 PM. The library is at 2450 14^th Ave SE. The paintings can be seen during regular library hours until October 31^st.

I am Diane Widler Wenzel, a fine arts painter with a large collection of my own art. Over the past 65 years I have sold some of my art but still have a big representative collection of my own creations. I like to live with my paintings so I rotate them. I swithch paintings around every time I start to clean house. Revolving art gives me a lift in spirit like living in a newly remodeled home. A recent epiphany came to me while washing windows and hanging 114 works in my home to show to possible clients.

The way paintings are displayed in a home can change how we feel.   You bet they can.  Painting groupings can even improve how I feel about my spouse's habits and different likes.

My husband Don and I live in a 1950's vintage, 1,200 square foot, one story, ranch style house. The living room is long and narrow with a long gallery wall facing a large picture window providing north light.This gallery has expanded over the years to every available wall space in the house creating an uncomfortable, visual stimulation overload. Bright active paintings were jumping out at us everywhere. So I have come up with ideas on how to hang more and more paintings so they both energize and sooth us. My aim is to make our home beautiful for both of us.

When hanging my painting I consider the views of my work from the locations we occupy during our daily doings.

For 32 years on my living room gallery wall I have auditioned my latest work next to older pieces for comparison. Also, I view them here before choosing the final touches. Since my epiphany I understand Don and I view the wall differently from our different easy chairs, the computer, the coach and when we enter the house. Don and I gravitate to different places with different views of my paintings so I can select his favorite impressionistic works where he is most likely to see them. I place more abstract warm and active paintings in the locations I see them.

I didn't use to think as deeply of how my work was effecting Don. Now I understand that my husband and I want to live in a comfortable space for both of us where we can be free to spread out our activities without the confines of decorator magazine perfection. He can lay out his fishing gear and prepare for his next trip. I can paint in either the livingroom or dinning room when it isn't nice enough on the patio.

 The shape of space around the pictures in a grouping is very important in making an overall impact.
 

Intuitively I have hung the largest paintings at the entry into the living room creating the impression that the wall is longer. The spaces between paintings is larger at the entrance than between the paintings at the end. The stair stepping of heights, and different sizes create an interesting negative space around the paintings. This shape around the pictures makes an overall casualness that impacts our feeling about how we want to live.

 

The more active are the color contrasts,

the greater the need is for a larger surrounding empty space and order.

 

 

Hanging next to the window is a painting called “My Palette My Table” in which I, with an open bag, stand small, practically unnoticeably harvesting lushious color. This painting is energizing to me but also is orderly because of the repetition of squares. Repetition goes beyond the painting. Squares and rectangles in my chair space include the stacking of abstract square paintings on the white wall, the lamp shade, the Guatemalian tapestry and the picture window.

I view this island of energized order at our computer desk where I am immersed in an island of clutter, I am too close to the gallery wall to see the casually hung paintings but I do see Don's island of doings and an occassional hat or pair of sandals. For a rest I can turn towards the window and my corner chair with the energized large painting made orderly with repetition of squares within and surrounding the painting. Then beyond to the empty front door area with empty walls.

A balance of motion and rest is not a newconcept to me but now I can apply with love to my relationship with my husband. It is as true in a painting as it is true when considering how to hang paintings in the architectural spacet o make a home our oasis of activity and rest.

Coming in Part Two of How I Hang the Pictures I Paint will be about our dining area, kitchen and laundry room. I will share ideas on making better use of corners that get visually lost. Discuss museum wrap, frames and  framing pictures with the architectural elements in the room.  Part Three I will show my studio/storage with ideas for storing more art in a small space with easy access for making rotations throughout our home.

I believe every painting collector has a different living space and different needs that their collection can satisfy. Collectors not only own a part of someone elses creativity but they can embark on a personally rewarding, creative journey of their own in finding what gives them the most satisfaction in how they display their collection. Perhaps some of the principles I have discovered here and the ones in future posts will be adaptable to your own collecting process. I hope you will share some of your experiences here in comments. I am still learning.